Lewis Carroll’s “Lays of Sorrow No. 1”

The day was wet, the rain fell souse
Like jars of strawberry jam,
sound was heard in the old henhouse,
A beating of a hammer.
Of stalwart form, and visage warm,
Two youths were seen within it,
Splitting up an old tree into perches for their poultry
At a hundred strokes a minute.
The work is done, the hen has taken
Possession of her nest and eggs,
Without a thought of eggs and bacon,
(Or I am very much mistaken)
She turns over each shell,
To be sure that all’s well,
Looks into the straw
To see there’s no flaw,
Goes once round the house,
Half afraid of a mouse,
Then sinks calmly to rest
On the top of her nest,
First doubling up each of her legs.
Time rolled away, and so did every shell,
“Small by degrees and beautifully less,”
As the large mother with a powerful spell
Forced each in turn its contents to express,
But ah! “imperfect is expression,”
Some poet said, I don’t care who,
If you want to know you must go elsewhere,
One fact I can tell, if you’re willing to hear,
He never attended a Parliament Session,
For I’m certain that if he had ever been there,
Full quickly would he have changed his ideas,
With the hissings, the hootings, the groans and the cheers.
And as to his name it is pretty clear
That it wasn’t me and it wasn’t you!

And so it fell upon a day,
(That is, it never rose again)
A chick was found upon the hay,
Its little life had ebbed away.
No longer frolicsome and gay,
No longer could it run or play.
“And must we, chicken, must we part?”
Its master cried with bursting heart,
And voice of agony and pain.
So one, whose ticket’s marked “Return”,
When to the lonely roadside station
He flies in fear and perturbation,
Thinks of his home–the hissing urn–
Then runs with flying hat and hair,
And, entering, finds to his despair
He’s missed the very last train.

Too long it were to tell of each conjecture
Of chicken suicide, and poultry victim,
The deadly frown, the stern anddreary lecture,
The timid guess, “perhaps some needle pricked him!”
The din of voice, the words both loud and many,
The sob, the tear, the sigh that none could smother,
Till all agreed “a shilling to a penny
It killed itself, and we acquit the mother!”
Scarce was the verdict spoken,
When that still calm was broken,
A childish form hath burst into the throng;
With tears and looks of sadness,
That bring no news of gladness,
But tell too surely something hath gone wrong!
“The sight I have come upon
The stoutest heart would sicken,
That nasty hen has been and gone
And killed another chicken!”

 

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Writer’s Corner: Illustration Breakdown – SCARLET

Hello again, everyone! Today we’re talking about artwork! I unfortunately I wasn’t blessed with the gift of expressing myself through drawing, sketching, or painting, but I was lucky enough to cross paths with Eren Angiolini (my official illustrator for The Prince of Prophecy series) and she was able to really bring my characters to life through her amazing artistic talents.

I gave Eren the basic idea of what I wanted my characters to look like by providing a face model for each character and told her what sort of pose I’d like each character to be in for each specific scene. Needless to say, she did an excellent job and went above and beyond my expectations. Eren gave me some awesome early sketches of my characters when we were trying to figure out a look for them and I really wanted to share them with you all. So today we’re starting with Scarlet–he’s pretty much everyone’s favorite character so I thought it was only appropriate. *you can click on any of the pictures to make them larger*

 

These were Scarlet’s very first sketches

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After the initial sketching is completed Eren goes back and shades the sketch as pictured below

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Now it’s time to add some color…

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Finally, I ask Eren to make any adjustments before the final masterpiece is complete, and (drum roll please)…

Scarlet

TA DAAAH! He’s all finished! And look how handsome he is!

I’ve got similar processes for Nicholas and Destan if you guys would like to see more. Please like if you enjoyed this and I’ll be sure to post more entries like this in the future. The illustration process is so much fun and super exciting for me as the author of these books, and I’m really happy to share these artworks with you (courtesy of Eren Angiolini, of course).

For new fairy tale, Prince of Prophecy, and Writer’s Corner updates every Wednesday and Saturday, follow this blog!

Hans Christian Andersen’s “What the Moon Saw”

Hello everyone! I just wanted to start this post by saying that I’m so sorry I missed Wednesday’s post! I’ve been super busy with switching universities that I didn’t even get to post a video on my youtube channel this week! D:

However, I have some exciting news for those of you who are following my Prince of Prophecy series, I’ll be releasing two new designs on my cafepress store on the 23rd in honor of Destan’s birthday (he’s my main character for those of you who don’t know)! I’ll post an update on Wednesday with all that information. ^_^

Now, without further ado, please enjoy Hans Christian Andersen’s What the Moon Saw!

Introduction

IT is a strange thing, when I feel most fervently and most deeply, my hands and my tongue seem alike tied, so that I cannot rightly describe or accurately portray the thoughts that are rising within me; and yet I am a painter; my eye tells me as much as that, and all my friends who have seen my sketches and fancies say the same.

I am a poor lad, and live in one of the narrowest of lanes; but I do not want for light, as my room is high up in the house, with an extensive prospect over the neighbouring roofs. During the first few days I went to live in the town, I felt low-spirited and solitary enough. Instead of the forest and the green hills of former days, I had here only a forest of chimney-pots to look out upon. And then I had not a single friend; not one familiar face greeted me.

So one evening I sat at the window, in a desponding mood; and presently I opened the casement and looked out. Oh, how my heart leaped up with joy! Here was a well-known face at last—a round, friendly countenance, the face of a good friend I had known at home. In, fact, it was the MOON that looked in upon me. He was quite unchanged, the dear old Moon, and had the same face exactly that he used to show when he peered down upon me through the willow trees on the moor. I kissed my hand to him over and over again, as he shone far into my little room; and he, for his part, promised me that every evening, when he came abroad, he would look in upon me for a few moments. This promise he has faithfully kept. It is a pity that he can only stay such a short time when he comes. Whenever he appears, he tells me of one thing or another that he has seen on the previous night, or on that same evening. “Just paint the scenes I describe to you”—this is what he said to me—“and you will have a very pretty picture-book.” I have followed his injunction for many evenings. I could make up a new “Thousand and One Nights,” in my own way, out of these pictures, but the number might be too great, after all. The pictures I have here given have not been chosen at random, but follow in their proper order, just as they were described to me. Some great gifted painter, or some poet or musician, may make something more of them if he likes; what I have given here are only hasty sketches, hurriedly put upon the paper, with some of my own thoughts, interspersed; for the Moon did not come to me every evening— a cloud sometimes hid his face from me.

First Evening

“LAST night”—I am quoting the Moon’s own words—“last night I was gliding through the cloudless Indian sky. My face was mirrored in the waters of the Ganges, and my beams strove to pierce through the thick intertwining boughs of the bananas, arching beneath me like the tortoise’s shell. Forth from the thicket tripped a Hindoo maid, light as a gazelle, beautiful as Eve. Airy and etherial as a vision, and yet sharply defined amid the surrounding shadows, stood this daughter of Hindostan: I could read on her delicate brow the thought that had brought her hither. The thorny creeping plants tore her sandals, but for all that she came rapidly forward. The deer that had come down to the river to quench her thirst, sprang by with a startled bound, for in her hand the maiden bore a lighted lamp. I could see the blood in her delicate finger tips, as she spread them for a screen before the dancing flame. She came down to the stream, and set the lamp upon the water, and let it float away. The flame flickered to and fro, and seemed ready to expire; but still the lamp burned on, and the girl’s black sparkling eyes, half veiled behind their long silken lashes, followed it with a gaze of earnest intensity. She knew that if the lamp continued to burn so long as she could keep it in sight, her betrothed was still alive; but if the lamp was suddenly extinguished, he was dead. And the lamp burned bravely on, and she fell on her knees, and prayed. Near her in the grass lay a speckled snake, but she heeded it not—she thought only of Bramah and of her betrothed. ‘He lives!’ she shouted joyfully, ‘he lives!’ And from the mountains the echo came back upon her, ‘he lives!’”

Second Evening

“YESTERDAY,” said the Moon to me, “I looked down upon a small courtyard surrounded on all sides by houses. In the courtyard sat a clucking hen with eleven chickens; and a pretty little girl was running and jumping around them. The hen was frightened, and screamed, and spread out her wings over the little brood. Then the girl’s father came out and scolded her; and I glided away and thought no more of the matter.

“But this evening, only a few minutes ago, I looked down into the same courtyard. Everything was quiet. But presently the little girl came forth again, crept quietly to the hen-house, pushed back the bolt, and slipped into the apartment of the hen and chickens. They cried out loudly, and came fluttering down from their perches, and ran about in dismay, and the little girl ran after them. I saw it quite plainly, for I looked through a hole in the hen-house wall. I was angry with the willful child, and felt glad when her father came out and scolded her more violently than yesterday, holding her roughly by the arm; she held down her head, and her blue eyes were full of large tears. ‘What are you about here?’ he asked. She wept and said, ‘I wanted to kiss the hen and beg her pardon for frightening her yesterday; but I was afraid to tell you.’

“And the father kissed the innocent child’s forehead, and I kissed her on the mouth and eyes.”

Third Evening

“IN the narrow street round the corner yonder—it is so narrow that my beams can only glide for a minute along the walls of the house, but in that minute I see enough to learn what the world is made of—in that narrow street I saw a woman. Sixteen years ago that woman was a child, playing in the garden of the old parsonage, in the country. The hedges of rose-bush were old, and the flowers were faded. They straggled wild over the paths, and the ragged branches grew up among the boughs of the apple trees; here and there were a few roses still in bloom—not so fair as the queen of flowers generally appears, but still they had colour and scent too. The clergyman’s little daughter appeared to me a far lovelier rose, as she sat on her stool under the straggling hedge, hugging and caressing her doll with the battered pasteboard cheeks.

“Ten years afterwards I saw her again. I beheld her in a splendid ballroom: she was the beautiful bride of a rich merchant. I rejoiced at her happiness, and sought her on calm quiet evenings— ah, nobody thinks of my clear eye and my silent glance! Alas! my rose ran wild, like the rose bushes in the garden of the parsonage. There are tragedies in every-day life, and tonight I saw the last act of one.

“She was lying in bed in a house in that narrow street: she was sick unto death, and the cruel landlord came up, and tore away the thin coverlet, her only protection against the cold. ‘Get up!’ said he; ‘your face is enough to frighten one. Get up and dress yourself, give me money, or I’ll turn you out into the street! Quick—get up!’ She answered, ‘Alas! death is gnawing at my heart. Let me rest.’ But he forced her to get up and bathe her face, and put a wreath of roses in her hair; and he placed her in a chair at the window, with a candle burning beside her, and went away.

“I looked at her, and she was sitting motionless, with her hands in her lap. The wind caught the open window and shut it with a crash, so that a pane came clattering down in fragments; but still she never moved. The curtain caught fire, and the flames played about her face; and I saw that she was dead. There at the open window sat the dead woman, preaching a sermon against sin—my poor faded rose out of the parsonage garden!”

Fourth Evening

“THIS evening I saw a German play acted,” said the Moon. “It was in a little town. A stable had been turned into a theatre; that is to say, the stable had been left standing, and had been turned into private boxes, and all the timber work had been covered with coloured paper. A little iron chandelier hung beneath the ceiling, and that it might be made to disappear into the ceiling, as it does in great theatres, when the ting-ting of the prompter’s bell is heard, a great inverted tub has been placed just above it.

‘Ting-ting!’ and the little iron chandelier suddenly rose at least half a yard and disappeared in the tub; and that was the sign that the play was going to begin. A young nobleman and his lady, who happened to be passing through the little town, were present at the performance, and consequently the house was crowded. But under the chandelier was a vacant space like a little crater: not a single soul sat there, for the tallow was dropping, drip, drip! I saw everything, for it was so warm in there that every loophole had been opened. The male and female servants stood outside, peeping through the chinks, although a real policeman was inside, threatening them with a stick. Close by the orchestra could be seen the noble young couple in two old arm-chairs, which were usually occupied by his worship the mayor and his lady; but these latter were to-day obliged to content themselves with wooden forms, just as if they had been ordinary citizens; and the lady observed quietly to herself, ‘One sees, now, that there is rank above rank;’ and this incident gave an air of extra festivity to the whole proceedings. The chandelier gave little leaps, the crowd got their knuckles rapped, and I, the Moon, was present at the performance from beginning to end.”

Fifth Evening

“YESTERDAY,” began the Moon, “I looked down upon the turmoil of Paris. My eye penetrated into an apartment of the Louvre. An old grandmother, poorly clad—she belonged to the working class—was following one of the under-servants into the great empty throne-room, for this was the apartment she wanted to see—that she was resolved to see; it had cost her many a little sacrifice, and many a coaxing word, to penetrate thus far. She folded her thin hands, and looked round with an air of reverence, as if she had been in a church.

“‘Here it was!’ she said, ‘here!’ and she approached the throne, from which hung the rich velvet fringed with gold lace. ‘There,’ she exclaimed, ‘there!’ and she knelt and kissed the purple carpet. I think she was actually weeping.

“‘But it was not this very velvet!’ observed the footman, and a smile played about his mouth. ‘True, but it was this very place,’ replied the woman, ‘and it must have looked just like this’. ‘It looked so, and yet it did not,’ observed the man: ‘the windows were beaten in, and the doors were off their hinges, and there was blood upon the floor.’ ‘But for all that you can say, my grandson died upon the throne of France. Died!’ mournfully repeated the old woman. I do not think another word was spoken, and they soon quitted the hall. The evening twilight faded and my light shone doubly vivid upon the rich velvet that covered the throne of France.

“Now who do you think this poor woman was? Listen, I will tell you a story.

“It happened, in the Revolution of July, on the evening of the most brilliantly victorious day, when every house was a fortress, every window a breastwork. The people stormed the Tuileries. Even women and children were to be found among the combatants. They penetrated into the apartments and halls of the palace. A poor half-grown boy in a ragged blouse fought among the older insurgents. Mortally wounded with several bayonet thrusts, he sank down. This happened in the throne-room. They laid the bleeding youth upon the throne of France, wrapped the velvet around his wounds, and his blood streamed forth upon the imperial purple. There was a picture! The splendid hall, the fighting groups! A torn flag upon the ground, the tricolor was waving above the bayonets, and on the throne lay the poor lad with the pale glorified countenance, his eyes turned towards the sky, his limbs writhing in the death agony, his breast bare, and his poor tattered clothing half hidden by the rich velvet embroidered with silver lilies. At the boy’s cradle a prophecy had been spoken: ‘He will die on the throne of France!’ The mother’s heart dreamt of a second Napoleon.

“My beams have kissed the wreath of immortelles on his grave, and this night they kissed the forehead of the old grandame, while in a dream the picture floated before her which thou mayest draw— the poor boy on the throne of France.”

Sixth Evening

“I’VE been in Upsala,” said the Moon: “I looked down upon the great plain covered with coarse grass, and upon the barren fields. I mirrored my face in the Tyris river, while the steamboat drove the fish into the rushes. Beneath me floated the waves, throwing long shadows on the so-called graves of Odin, Thor, and Friga. In the scanty turf that covers the hill-side names have been cut. There is no monument here, no memorial on which the traveller can have his name carved, no rocky wall on whose surface he can get it painted; so visitors have the turf cut away for that purpose. The naked earth peers through in the form of great letters and names; these form a network over the whole hill. Here is an immortality, which lasts till the fresh turf grows!

“Up on the hill stood a man, a poet. He emptied the mead horn with the broad silver rim, and murmured a name. He begged the winds not to betray him, but I heard the name. I knew it. A count’s coronet sparkles above it, and therefore he did not speak it out. I smiled, for I knew that a poet’s crown adorns his own name. The nobility of Eleanora d’Este is attached to the name of Tasso. And I also know where the Rose of Beauty blooms!”

Thus spake the Moon, and a cloud came between us. May no cloud separate the poet from the rose!

Seventh Evening

“ALONG the margin of the shore stretches a forest of firs and beeches, and fresh and fragrant is this wood; hundreds of nightingales visit it every spring. Close beside it is the sea, the ever-changing sea, and between the two is placed the broad high-road. One carriage after another rolls over it; but I did not follow them, for my eye loves best to rest upon one point. A Hun’s Grave lies there, and the sloe and blackthorn grow luxuriantly among the stones. Here is true poetry in nature.

“And how do you think men appreciate this poetry? I will tell you what I heard there last evening and during the night.

“First, two rich landed proprietors came driving by. ‘Those are glorious trees!’ said the first. ‘Certainly; there are ten loads of firewood in each,’ observed the other: ‘it will be a hard winter, and last year we got fourteen dollars a load’—and they were gone. ‘The road here is wretched,’ observed another man who drove past. ‘That’s the fault of those horrible trees,’ replied his neighbour; ‘there is no free current of air; the wind can only come from the sea’—and they were gone. The stage coach went rattling past. All the passengers were asleep at this beautiful spot. The postillion blew his horn, but he only thought, ‘I can play capitally. It sounds well here. I wonder if those in there like it?’—and the stage coach vanished. Then two young fellows came gallopping up on horseback. There’s youth and spirit in the blood here! thought I; and, indeed, they looked with a smile at the moss-grown hill and thick forest. ‘I should not dislike a walk here with the miller’s Christine,’ said one— and they flew past.

“The flowers scented the air; every breath of air was hushed; it seemed as if the sea were a part of the sky that stretched above the deep valley. A carriage rolled by. Six people were sitting in it. Four of them were asleep; the fifth was thinking of his new summer coat, which would suit him admirably; the sixth turned to the coachman and asked him if there were anything remarkable connected with yonder heap of stones. ‘No,’ replied the coachman, ‘it’s only a heap of stones; but the trees are remarkable.’ ‘How so?’ ‘Why I’ll tell you how they are very remarkable. You see, in winter, when the snow lies very deep, and has hidden the whole road so that nothing is to be seen, those trees serve me for a landmark. I steer by them, so as not to drive into the sea; and you see that is why the trees are remarkable.’

“Now came a painter. He spoke not a word, but his eyes sparkled. He began to whistle. At this the nightingales sang louder than ever. ‘Hold your tongues!’ he cried testily; and he made accurate notes of all the colours and transitions—blue, and lilac, and dark brown. ‘That will make a beautiful picture,’ he said. He took it in just as a mirror takes in a view; and as he worked he whistled a march of Rossini. And last of all came a poor girl. She laid aside the burden she carried, and sat down to rest upon the Hun’s Grave. Her pale handsome face was bent in a listening attitude towards the forest. Her eyes brightened, she gazed earnestly at the sea and the sky, her hands were folded, and I think she prayed, ‘Our Father.’ She herself could not understand the feeling that swept through her, but I know that this minute, and the beautiful natural scene, will live within her memory for years, far more vividly and more truly than the painter could portray it with his colours on paper. My rays followed her till the morning dawn kissed her brow.”

Eighth Evening

HEAVY clouds obscured the sky, and the Moon did not make his appearance at all. I stood in my little room, more lonely than ever, and looked up at the sky where he ought to have shown himself. My thoughts flew far away, up to my great friend, who every evening told me such pretty tales, and showed me pictures. Yes, he has had an experience indeed. He glided over the waters of the Deluge, and smiled on Noah’s ark just as he lately glanced down upon me, and brought comfort and promise of a new world that was to spring forth from the old. When the Children of Israel sat weeping by the waters of Babylon, he glanced mournfully upon the willows where hung the silent harps. When Romeo climbed the balcony, and the promise of true love fluttered like a cherub toward heaven, the round Moon hung, half hidden among the dark cypresses, in the lucid air. He saw the captive giant at St. Helena, looking from the lonely rock across the wide ocean, while great thoughts swept through his soul. Ah! what tales the Moon can tell. Human life is like a story to him. To-night I shall not see thee again, old friend. Tonight I can draw no picture of the memories of thy visit. And, as I looked dreamily towards the clouds, the sky became bright. There was a glancing light, and a beam from the Moon fell upon me. It vanished again, and dark clouds flew past: but still it was a greeting, a friendly good-night offered to me by the Moon.

Ninth Evening

THE air was clear again. Several evenings had passed, and the Moon was in the first quarter. Again he gave me an outline for a sketch. Listen to what he told me.

“I have followed the polar bird and the swimming whale to the eastern coast of Greenland. Gaunt ice-covered rocks and dark clouds hung over a valley, where dwarf willows and barberry bushes stood clothed in green. The blooming lychnis exhaled sweet odours. My light was faint, my face pale as the water lily that, torn from its stem, has been drifting for weeks with the tide. The crown-shaped Northern Light burned fiercely in the sky. Its ring was broad, and from its circumference the rays shot like whirling shafts of fire across the whole sky, flashing in changing radiance from green to red. The inhabitants of that icy region were assembling for dance and festivity; but, accustomed to this glorious spectacle, they scarcely deigned to glance at it. ‘Let us leave the soul of the dead to their ball-play with the heads of the walruses,’ they thought in their superstition, and they turned their whole attention to the song and dance. In the midst of the circle, and divested of his furry cloak, stood a Greenlander, with a small pipe, and he played and sang a song about catching the seal, and the chorus around chimed in with, ‘Eia, Eia, Ah.’ And in their white furs they danced about in the circle, till you might fancy it was a polar bear’s ball.

“And now a Court of Judgment was opened. Those Greenlanders who had quarrelled stepped forward, and the offended person chanted forth the faults of his adversary in an extempore song, turning them sharply into ridicule, to the sound of the pipe and the measure of the dance. The defendant replied with satire as keen, while the audience laughed, and gave their verdict. The rocks heaved, the glaciers melted, and great masses of ice and snow came crashing down, shivering to fragments as they fall; it was a glorious Greenland summer night. A hundred paces away, under the open tent of hides, lay a sick man. Life still flowed through his warm blood, but still he was to die—he himself felt it, and all who stood round him knew it also; therefore his wife was already sewing round him the shroud of furs, that she might not afterwards be obliged to touch the dead body. And she asked, ‘Wilt thou be buried on the rock, in the firm snow? I will deck the spot with thy kayak, and thy arrows, and the angekokk shall dance over it. Or wouldst thou rather be buried in the sea?’ ‘In the sea,’ he whispered, and nodded with a mournful smile. ‘Yes, it is a pleasant summer tent, the sea,’ observed the wife. ‘Thousands of seals sport there, the walrus shall lie at thy feet, and the hunt will be safe and merry!’ And the yelling children tore the outspread hide from the window-hole, that the dead man might be carried to the ocean, the billowy ocean, that had given him food in life, and that now, in death, was to afford him a place of rest. For his monument, he had the floating, ever-changing icebergs, whereon the seal sleeps, while the storm bird flies round their gleaming summits!”

Tenth Evening

“I KNEW an old maid,” said the Moon. “Every winter she wore a wrapper of yellow satin, and it always remained new, and was the only fashion she followed. In summer she always wore the same straw hat, and I verily believe the very same gray-blue dress.

“She never went out, except across the street to an old female friend; and in later years she did not even take this walk, for the old friend was dead. In her solitude my old maid was always busy at the window, which was adorned in summer with pretty flowers, and in winter with cress, grown upon felt. During the last months I saw her no more at the window, but she was still alive. I knew that, for I had not yet seen her begin the ‘long journey,’ of which she often spoke with her friend. ‘Yes, yes,’ she was in the habit of saying, ‘when I come to die I shall take a longer journey than I have made my whole life long. Our family vault is six miles from here. I shall be carried there, and shall sleep there among my family and relatives.’ Last night a van stopped at the house. A coffin was carried out, and then I knew that she was dead. They placed straw round the coffin, and the van drove away. There slept the quiet old lady, who had not gone out of her house once for the last year. The van rolled out through the town-gate as briskly as if it were going for a pleasant excursion. On the high-road the pace was quicker yet. The coachman looked nervously round every now and then—I fancy he half expected to see her sitting on the coffin, in her yellow satin wrapper. And because he was startled, he foolishly lashed his horses, while he held the reins so tightly that the poor beasts were in a foam: they were young and fiery. A hare jumped across the road and startled them, and they fairly ran away. The old sober maiden, who had for years and years moved quietly round and round in a dull circle, was now, in death, rattled over stock and stone on the public highway. The coffin in its covering of straw tumbled out of the van, and was left on the high-road, while horses, coachman, and carriage flew past in wild career. The lark rose up carolling from the field, twittering her morning lay over the coffin, and presently perched upon it, picking with her beak at the straw covering, as though she would tear it up. The lark rose up again, singing gaily, and I withdrew behind the red morning clouds.”

Eleventh Evening

“I WILL give you a picture of Pompeii,” said the Moon. “I was in the suburb in the Street of Tombs, as they call it, where the fair monuments stand, in the spot where, ages ago, the merry youths, their temples bound with rosy wreaths, danced with the fair sisters of Lais. Now, the stillness of death reigned around. German mercenaries, in the Neapolitan service, kept guard, played cards, and diced; and a troop of strangers from beyond the mountains came into the town, accompanied by a sentry. They wanted to see the city that had risen from the grave illumined by my beams; and I showed them the wheel-ruts in the streets paved with broad lava slabs; I showed them the names on the doors, and the signs that hung there yet: they saw in the little courtyard the basins of the fountains, ornamented with shells; but no jet of water gushed upwards, no songs sounded forth from the richly-painted chambers, where the bronze dog kept the door.

“It was the City of the Dead; only Vesuvius thundered forth his everlasting hymn, each separate verse of which is called by men an eruption. We went to the temple of Venus, built of snow-white marble, with its high altar in front of the broad steps, and the weeping willows sprouting freshly forth among the pillars. The air was transparent and blue, and black Vesuvius formed the background, with fire ever shooting forth from it, like the stem of the pine tree. Above it stretched the smoky cloud in the silence of the night, like the crown of the pine, but in a blood-red illumination. Among the company was a lady singer, a real and great singer. I have witnessed the homage paid to her in the greatest cities of Europe. When they came to the tragic theatre, they all sat down on the amphitheatre steps, and thus a small part of the house was occupied by an audience, as it had been many centuries ago. The stage still stood unchanged, with its walled side-scenes, and the two arches in the background, through which the beholders saw the same scene that had been exhibited in the old times—a scene painted by nature herself, namely, the mountains between Sorento and Amalfi. The singer gaily mounted the ancient stage, and sang. The place inspired her, and she reminded me of a wild Arab horse, that rushes headlong on with snorting nostrils and flying mane—her song was so light and yet so firm. Anon I thought of the mourning mother beneath the cross at Golgotha, so deep was the expression of pain. And, just as it had done thousands of years ago, the sound of applause and delight now filled the theatre. ‘Happy, gifted creature!’ all the hearers exclaimed. Five minutes more, and the stage was empty, the company had vanished, and not a sound more was heard—all were gone. But the ruins stood unchanged, as they will stand when centuries shall have gone by, and when none shall know of the momentary applause and of the triumph of the fair songstress; when all will be forgotten and gone, and even for me this hour will be but a dream of the past.”

Twelfth Evening

“I LOOKED through the windows of an editor’s house,” said the Moon. “It was somewhere in Germany. I saw handsome furniture, many books, and a chaos of newspapers. Several young men were present: the editor himself stood at his desk, and two little books, both by young authors, were to be noticed. ‘This one has been sent to me,’ said he. ‘I have not read it yet; what think you of the contents?’ ‘Oh,’ said the person addressed—he was a poet himself—‘it is good enough; a little broad, certainly; but, you see, the author is still young. The verses might be better, to be sure; the thoughts are sound, though there is certainly a good deal of common-place among them. But what will you have? You can’t be always getting something new. That he’ll turn out anything great I don’t believe, but you may safely praise him. He is well read, a remarkable Oriental scholar, and has a good judgment. It was he who wrote that nice review of my ‘Reflections on Domestic Life.’ We must be lenient towards the young man.’

“‘But he is a complete hack!’ objected another of the gentlemen. ‘Nothing worse in poetry than mediocrity, and he certainly does not go beyond this.’

“‘Poor fellow,’ observed a third, ‘and his aunt is so happy about him. It was she, Mr. Editor, who got together so many subscribers for your last translation.’

“‘Ah, the good woman! Well, I have noticed the book briefly. Undoubted talent—a welcome offering—a flower in the garden of poetry—prettily brought out—and so on. But this other book—I suppose the author expects me to purchase it? I hear it is praised. He has genius, certainly: don’t you think so?’

“‘Yes, all the world declares as much,’ replied the poet, ‘but it has turned out rather wildly. The punctuation of the book, in particular, is very eccentric.’

“‘It will be good for him if we pull him to pieces, and anger him a little, otherwise he will get too good an opinion of himself.’

“‘But that would be unfair,’ objected the fourth. ‘Let us not carp at little faults, but rejoice over the real and abundant good that we find here: he surpasses all the rest.’

“‘Not so. If he is a true genius, he can bear the sharp voice of censure. There are people enough to praise him. Don’t let us quite turn his head.’

“‘Decided talent,’ wrote the editor, ‘with the usual carelessness. that he can write incorrect verses may be seen in page 25, where there are two false quantities. We recommend him to study the ancients, etc.’

“I went away,” continued the Moon, “and looked through the windows in the aunt’s house. There sat the be-praised poet, the tame one; all the guests paid homage to him, and he was happy.

“I sought the other poet out, the wild one; him also I found in a great assembly at his patron’s, where the tame poet’s book was being discussed.

“‘I shall read yours also,’ said Maecenas; ‘but to speak honestly— you know I never hide my opinion from you—I don’t expect much from it, for you are much too wild, too fantastic. But it must be allowed that, as a man, you are highly respectable.’

“A young girl sat in a corner; and she read in a book these words:

“‘In the dust lies genius and glory,

But ev’ry-day talent will pay.

It’s only the old, old story,

But the piece is repeated each day.’”

Thirteenth Evening

THE Moon said, “Beside the woodland path there are two small farm-houses. The doors are low, and some of the windows are placed quite high, and others close to the ground; and whitethorn and barberry bushes grow around them. The roof of each house is overgrown with moss and with yellow flowers and houseleek. Cabbage and potatoes are the only plants cultivated in the gardens, but out of the hedge there grows a willow tree, and under this willow tree sat a little girl, and she sat with her eyes fixed upon the old oak tree between the two huts.

“It was an old withered stem. It had been sawn off at the top, and a stork had built his nest upon it; and he stood in this nest clapping with his beak. A little boy came and stood by the girl’s side: they were brother and sister.

“‘What are you looking at?’ he asked.

“‘I’m watching the stork,’ she replied: ‘our neighbors told me that he would bring us a little brother or sister to-day; let us watch to see it come!’

“‘The stork brings no such things,’ the boy declared, ‘you may be sure of that. Our neighbor told me the same thing, but she laughed when she said it, and so I asked her if she could say ‘On my honor,’ and she could not; and I know by that the story about the storks is not true, and that they only tell it to us children for fun.’

“‘But where do babies come from, then?’ asked the girl.

“‘Why, an angel from heaven brings them under his cloak, but no man can see him; and that’s why we never know when he brings them.’

“At that moment there was a rustling in the branches of the willow tree, and the children folded their hands and looked at one another: it was certainly the angel coming with the baby. They took each other’s hand, and at that moment the door of one of the houses opened, and the neighbour appeared.

“‘Come in, you two,’ she said. ‘See what the stork has brought. It is a little brother.’

“And the children nodded gravely at one another, for they had felt quite sure already that the baby was come.”

Fourteenth Evening

“I WAS gliding over the Luneburg Heath,” the Moon said. “A lonely hut stood by the wayside, a few scanty bushes grew near it, and a nightingale who had lost his way sang sweetly. He died in the coldness of the night: it was his farewell song that I heard.

“The morning dawn came glimmering red. I saw a caravan of emigrant peasant families who were bound to Hamburgh, there to take ship for America, where fancied prosperity would bloom for them. The mothers carried their little children at their backs, the elder ones tottered by their sides, and a poor starved horse tugged at a cart that bore their scanty effects. The cold wind whistled, and therefore the little girl nestled closer to the mother, who, looking up at my decreasing disc, thought of the bitter want at home, and spoke of the heavy taxes they had not been able to raise. The whole caravan thought of the same thing; therefore, the rising dawn seemed to them a message from the sun, of fortune that was to gleam brightly upon them. They heard the dying nightingale sing; it was no false prophet, but a harbinger of fortune. The wind whistled, therefore they did not understand that the nightingale sung, ‘Fare away over the sea! Thou hast paid the long passage with all that was thine, and poor and helpless shalt thou enter Canaan. Thou must sell thyself, thy wife, and thy children. But your griefs shall not last long. Behind the broad fragrant leaves lurks the goddess of Death, and her welcome kiss shall breathe fever into thy blood. Fare away, fare away, over the heaving billows.’ And the caravan listened well pleased to the song of the nightingale, which seemed to promise good fortune. Day broke through the light clouds; country people went across the heath to church; the black-gowned women with their white head-dresses looked like ghosts that had stepped forth from the church pictures. All around lay a wide dead plain, covered with faded brown heath, and black charred spaces between the white sand hills. The women carried hymn books, and walked into the church. Oh, pray, pray for those who are wandering to find graves beyond the foaming billows.”

Fifteenth Evening

“I KNOW a Pulcinella,” the Moon told me. “The public applaud vociferously directly they see him. Every one of his movements is comic, and is sure to throw the house into convulsions of laughter; and yet there is no art in it all—it is complete nature. When he was yet a little boy, playing about with other boys, he was already Punch. Nature had intended him for it, and had provided him with a hump on his back, and another on his breast; but his inward man, his mind, on the contrary, was richly furnished. No one could surpass him in depth of feeling or in readiness of intellect. The theatre was his ideal world. If he had possessed a slender well-shaped figure, he might have been the first tragedian on any stage; the heroic, the great, filled his soul; and yet he had to become a Pulcinella. His very sorrow and melancholy did but increase the comic dryness of his sharply-cut features, and increased the laughter of the audience, who showered plaudits on their favourite. The lovely Columbine was indeed kind and cordial to him; but she preferred to marry the Harlequin. It would have been too ridiculous if beauty and ugliness had in reality paired together.

“When Pulcinella was in very bad spirits, she was the only one who could force a hearty burst of laughter, or even a smile from him: first she would be melancholy with him, then quieter, and at last quite cheerful and happy. ‘I know very well what is the matter with you,’ she said; ‘yes, you’re in love!’ And he could not help laughing. ‘I and Love,’ he cried, ‘that would have an absurd look. How the public would shout!’ ‘Certainly, you are in love,’ she continued; and added with a comic pathos, ‘and I am the person you are in love with.’ You see, such a thing may be said when it is quite out of the question—and, indeed, Pulcinella burst out laughing, and gave a leap into the air, and his melancholy was forgotten.

“And yet she had only spoken the truth. He did love her, love her adoringly, as he loved what was great and lofty in art. At her wedding he was the merriest among the guests, but in the stillness of night he wept: if the public had seen his distorted face then, they would have applauded rapturously.

“And a few days ago, Columbine died. On the day of the funeral, Harlequin was not required to show himself on the boards, for he was a disconsolate widower. The director had to give a very merry piece, that the public might not too painfully miss the pretty Columbine and the agile Harlequin. Therefore Pulcinella had to be more boisterous and extravagant than ever; and he danced and capered, with despair in his heart; and the audience yelled, and shouted ‘bravo, bravissimo!’ Pulcinella was actually called before the curtain. He was pronounced inimitable.

“But last night the hideous little fellow went out of the town, quite alone, to the deserted churchyard. The wreath of flowers on Columbine’s grave was already faded, and he sat down there. It was a study for a painter. As he sat with his chin on his hands, his eyes turned up towards me, he looked like a grotesque monument—a Punch on a grave—peculiar and whimsical! If the people could have seen their favourite, they would have cried as usual, ‘Bravo, Pulcinella; bravo, bravissimo!’

Sixteenth Evening

HEAR what the Moon told me. “I have seen the cadet who had just been made an officer put on his handsome uniform for the first time; I have seen the young bride in her wedding dress, and the princess girl-wife happy in her gorgeous robes; but never have I seen a felicity equal to that of a little girl of four years old, whom I watched this evening. She had received a new blue dress, and a new pink hat, the splendid attire had just been put on, and all were calling for a candle, for my rays, shining in through the windows of the room, were not bright enough for the occasion, and further illumination was required. There stood the little maid, stiff and upright as a doll, her arms stretched painfully straight out away from the dress, and her fingers apart; and oh, what happiness beamed from her eyes, and from her whole countenance! ‘To-morrow you shall go out in your new clothes,’ said her mother; and the little one looked up at her hat, and down at her frock, and smiled brightly. ‘Mother,’ she cried, ‘what will the little dogs think, when they see me in these splendid new things?’”

Seventeenth Evening

“I HAVE spoken to you of Pompeii,” said the Moon; “that corpse of a city, exposed in the view of living towns: I know another sight still more strange, and this is not the corpse, but the spectre of a city. Whenever the jetty fountains splash into the marble basins, they seem to me to be telling the story of the floating city. Yes, the spouting water may tell of her, the waves of the sea may sing of her fame! On the surface of the ocean a mist often rests, and that is her widow’s veil. The bridegroom of the sea is dead, his palace and his city are his mausoleum! Dost thou know this city? She has never heard the rolling of wheels or the hoof-tread of horses in her streets, through which the fish swim, while the black gondola glides spectrally over the green water. I will show you the place,” continued the Moon, “the largest square in it, and you will fancy yourself transported into the city of a fairy tale. The grass grows rank among the broad flagstones, and in the morning twilight thousands of tame pigeons flutter around the solitary lofty tower. On three sides you find yourself surrounded by cloistered walks. In these the silent Turk sits smoking his long pipe, the handsome Greek leans against the pillar and gazes at the upraised trophies and lofty masts, memorials of power that is gone. The flags hang down like mourning scarves. A girl rests there: she has put down her heavy pails filled with water, the yoke with which she has carried them rests on one of her shoulders, and she leans against the mast of victory. That is not a fairy palace you see before you yonder, but a church: the gilded domes and shining orbs flash back my beams; the glorious bronze horses up yonder have made journeys, like the bronze horse in the fairy tale: they have come hither, and gone hence, and have returned again. Do you notice the variegated splendour of the walls and windows? It looks as if Genius had followed the caprices of a child, in the adornment of these singular temples. Do you see the winged lion on the pillar? The gold glitters still, but his wings are tied—the lion is dead, for the king of the sea is dead; the great halls stand desolate, and where gorgeous paintings hung of yore, the naked wall now peers through. The lazzarone sleeps under the arcade, whose pavement in old times was to be trodden only by the feet of high nobility. From the deep wells, and perhaps from the prisons by the Bridge of Sighs, rise the accents of woe, as at the time when the tambourine was heard in the gay gondolas, and the golden ring was cast from the Bucentaur to Adria, the queen of the seas. Adria! shroud thyself in mists; let the veil of thy widowhood shroud thy form, and clothe in the weeds of woe the mausoleum of thy bridegroom—the marble, spectral Venice.”

Eighteenth Evening

“I LOOKED down upon a great theatre,” said the Moon. “The house was crowded, for a new actor was to make his first appearance that night. My rays glided over a little window in the wall, and I saw a painted face with the forehead pressed against the panes. It was the hero of the evening. The knighly beard curled crisply about the chin; but there were tears in the man’s eyes, for he had been hissed off, and indeed with reason. The poor Incapable! But Incapables cannot be admitted into the empire of Art. He had deep feeling, and loved his art enthusiastically, but the art loved not him. The prompter’s bell sounded; ‘the hero enters with a determined air,’ so ran the stage direction in his part, and he had to appear before an audience who turned him into ridicule. When the piece was over, I saw a form wrapped in a mantle, creeping down the steps: it was the vanquished knight of the evening. The scene-shifters whispered to one another, and I followed the poor fellow home to his room. To hang one’s self is to die a mean death, and poison is not always at hand, I know; but he thought of both. I saw how he looked at his pale face in the glass, with eyes half closed, to see if he should look well as a corpse. A man may be very unhappy, and yet exceedingly affected. He thought of death, of suicide; I believe he pitied himself, for he wept bitterly, and when a man has had his cry out he doesn’t kill himself.

“Since that time a year had rolled by. Again a play was to be acted, but in a little theatre, and by a poor strolling company. Again I saw the well-remembered face, with the painted cheeks and the crisp beard. He looked up at me and smiled; and yet he had been hissed off only a minute before—hissed off from a wretched theatre, by a miserable audience. And tonight a shabby hearse rolled out of the town-gate. It was a suicide—our painted, despised hero. The driver of the hearse was the only person present, for no one followed except my beams. In a corner of the churchyard the corpse of the suicide was shovelled into the earth, and nettles will soon be growing rankly over his grave, and the sexton will throw thorns and weeds from the other graves upon it.”

Nineteenth Evening

“I COME from Rome,” said the Moon. “In the midst of the city, upon one of the seven hills, lie the ruins of the imperial palace. The wild fig tree grows in the clefts of the wall, and covers the nakedness thereof with its broad grey-green leaves; trampling among heaps of rubbish, the ass treads upon green laurels, and rejoices over the rank thistles. From this spot, whence the eagles of Rome once flew abroad, whence they ‘came, saw, and conquered,’ our door leads into a little mean house, built of clay between two pillars; the wild vine hangs like a mourning garland over the crooked window. An old woman and her little granddaughter live there: they rule now in the palace of the Caesars, and show to strangers the remains of its past glories. Of the splendid throne-hall only a naked wall yet stands, and a black cypress throws its dark shadow on the spot where the throne once stood. The dust lies several feet deep on the broken pavement; and the little maiden, now the daughter of the imperial palace, often sits there on her stool when the evening bells ring. The keyhole of the door close by she calls her turret window; through this she can see half Rome, as far as the mighty cupola of St. Peter’s.

“On this evening, as usual, stillness reigned around; and in the full beam of my light came the little granddaughter. On her head she carried an earthen pitcher of antique shape filled with water. Her feet were bare, her short frock and her white sleeves were torn. I kissed her pretty round shoulders, her dark eyes, and black shining hair. She mounted the stairs; they were steep, having been made up of rough blocks of broken marble and the capital of a fallen pillar. The coloured lizards slipped away, startled, from before her feet, but she was not frightened at them. Already she lifted her hand to pull the door-bell—a hare’s foot fastened to a string formed the bell-handle of the imperial palace. She paused for a moment—of what might she be thinking? Perhaps of the beautiful Christ-child, dressed in gold and silver, which was down below in the chapel, where the silver candlesticks gleamed so bright, and where her little friends sung the hymns in which she also could join? I know not. Presently she moved again—she stumbled: the earthen vessel fell from her head, and broke on the marble steps. She burst into tears. The beautiful daughter of the imperial palace wept over the worthless broken pitcher; with her bare feet she stood there weeping; and dared not pull the string, the bell-rope of the imperial palace!”

Twentieth Evening

IT was more than a fortnight since the Moon had shone. Now he stood once more, round and bright, above the clouds, moving slowly onward. Hear what the Moon told me.

“From a town in Fezzan I followed a caravan. On the margin of the sandy desert, in a salt plain, that shone like a frozen lake, and was only covered in spots with light drifting sand, a halt was made. The eldest of the company—the water gourd hung at his girdle, and on his head was a little bag of unleavened bread—drew a square in the sand with his staff, and wrote in it a few words out of the Koran, and then the whole caravan passed over the consecrated spot. A young merchant, a child of the East, as I could tell by his eye and his figure, rode pensively forward on his white snorting steed. Was he thinking, perchance, of his fair young wife? It was only two days ago that the camel, adorned with furs and with costly shawls, had carried her, the beauteous bride, round the walls of the city, while drums and cymbals had sounded, the women sang, and festive shots, of which the bridegroom fired the greatest number, resounded round the camel; and now he was journeying with the caravan across the desert.

“For many nights I followed the train. I saw them rest by the wellside among the stunted palms; they thrust the knife into the breast of the camel that had fallen, and roasted its flesh by the fire. My beams cooled the glowing sands, and showed them the black rocks, dead islands in the immense ocean of sand. No hostile tribes met them in their pathless route, no storms arose, no columns of sand whirled destruction over the journeying caravan. At home the beautiful wife prayed for her husband and her father. ‘Are they dead?’ she asked of my golden crescent; ‘Are they dead?’ she cried to my full disc. Now the desert lies behind them. This evening they sit beneath the lofty palm trees, where the crane flutters round them with its long wings, and the pelican watches them from the branches of the mimosa. The luxuriant herbage is trampled down, crushed by the feet of elephants. A troop of negroes are returning from a market in the interior of the land: the women, with copper buttons in their black hair, and decked out in clothes dyed with indigo, drive the heavily-laden oxen, on whose backs slumber the naked black children. A negro leads a young lion which he has brought, by a string. They approach the caravan; the young merchant sits pensive and motionless, thinking of his beautiful wife, dreaming, in the land of the blacks, of his white lily beyond the desert. He raises his head, and—” But at this moment a cloud passed before the Moon, and then another. I heard nothing more from him this evening.

Twenty-First Evening

“I SAW a little girl weeping,” said the Moon; “she was weeping over the depravity of the world. She had received a most beautiful doll as a present. Oh, that was a glorious doll, so fair and delicate! She did not seem created for the sorrows of this world. But the brothers of the little girl, those great naughty boys, had set the doll high up in the branches of a tree and had run away.

“The little girl could not reach up to the doll, and could not help her down, and that is why she was crying. The doll must certainly have been crying too, for she stretched out her arms among the green branches, and looked quite mournful. Yes, these are the troubles of life of which the little girl had often heard tell. Alas, poor doll! it began to grow dark already; and suppose night were to come on completely! Was she to be left sitting on the bough all night long? No, the little maid could not make up her mind to that. ‘I’ll stay with you,’ she said, although she felt anything but happy in her mind. She could almost fancy she distinctly saw little gnomes, with their high-crowned hats, sitting in the bushes; and further back in the long walk, tall spectres appeared to be dancing. They came nearer and nearer, and stretched out their hands towards the tree on which the doll sat; they laughed scornfully, and pointed at her with their fingers. Oh, how frightened the little maid was! ‘But if one has not done anything wrong,’ she thought, ‘nothing evil can harm one. I wonder if I have done anything wrong?’ And she considered. ‘Oh, yes! I laughed at the poor duck with the red rag on her leg; she limped along so funnily, I could not help laughing; but it’s a sin to laugh at animals.’ And she looked up at the doll. ‘Did you laugh at the duck too?’ she asked; and it seemed as if the doll shook her head.”

Twenty-Second Evening

“I LOOKED down upon Tyrol,” said the Moon, “and my beams caused the dark pines to throw long shadows upon the rocks. I looked at the pictures of St. Christopher carrying the Infant Jesus that are painted there upon the walls of the houses, colossal figures reaching from the ground to the roof. St. Florian was represented pouring water on the burning house, and the Lord hung bleeding on the great cross by the wayside. To the present generation these are old pictures, but I saw when they were put up, and marked how one followed the other. On the brow of the mountain yonder is perched, like a swallow’s nest, a lonely convent of nuns. Two of the sisters stood up in the tower tolling the bell; they were both young, and therefore their glances flew over the mountain out into the world. A travelling coach passed by below, the postillion wound his horn, and the poor nuns looked after the carriage for a moment with a mournful glance, and a tear gleamed in the eyes of the younger one. And the horn sounded faint and more faintly, and the convent bell drowned its expiring echoes.”

Twenty-Third Evening

HEAR what the Moon told me. “Some years ago, here in Copenhagen, I looked through the window of a mean little room. The father and mother slept, but the little son was not asleep. I saw the flowered cotton curtains of the bed move, and the child peep forth. At first I thought he was looking at the great clock, which was gaily painted in red and green. At the top sat a cuckoo, below hung the heavy leaden weights, and the pendulum with the polished disc of metal went to and fro, and said ‘tick, tick.’ But no, he was not looking at the clock, but at his mother’s spinning wheel, that stood just underneath it. That was the boy’s favourite piece of furniture, but he dared not touch it, for if he meddled with it he got a rap on the knuckles. For hours together, when his mother was spinning, he would sit quietly by her side, watching the murmuring spindle and the revolving wheel, and as he sat he thought of many things. Oh, if he might only turn the wheel himself! Father and mother were asleep; he looked at them, and looked at the spinning wheel, and presently a little naked foot peered out of the bed, and then a second foot, and then two little white legs. There he stood. He looked round once more, to see if father and mother were still asleep—yes, they slept; and now he crept softly, softly, in his short little nightgown, to the spinning wheel, and began to spin. The thread flew from the wheel, and the wheel whirled faster and faster. I kissed his fair hair and his blue eyes, it was such a pretty picture.

“At that moment the mother awoke. The curtain shook, she looked forth, and fancied she saw a gnome or some other kind of little spectre. ‘In Heaven’s name!’ she cried, and aroused her husband in a frightened way. He opened his eyes, rubbed them with his hands, and looked at the brisk little lad. ‘Why, that is Bertel,’ said he. And my eye quitted the poor room, for I have so much to see. At the same moment I looked at the halls of the Vatican, where the marble gods are enthroned. I shone upon the group of the Laocoon; the stone seemed to sigh. I pressed a silent kiss on the lips of the Muses, and they seemed to stir and move. But my rays lingered longest about the Nile group with the colossal god. Leaning against the Sphinx, he lies there thoughtful and meditative, as if he were thinking on the rolling centuries; and little love-gods sport with him and with the crocodiles. In the horn of plenty sat with folded arms a little tiny love-god, contemplating the great solemn river-god, a true picture of the boy at the spinning wheel—the features were exactly the same. Charming and life-like stood the little marble form, and yet the wheel of the year has turned more than a thousand times since the time when it sprang forth from the stone. Just as often as the boy in the little room turned the spinning wheel had the great wheel murmured, before the age could again call forth marble gods equal to those he afterwards formed.

“Years have passed since all this happened,” the Moon went on to say. “Yesterday I looked upon a bay on the eastern coast of Denmark. Glorious woods are there, and high trees, an old knightly castle with red walls, swans floating in the ponds, and in the background appears, among orchards, a little town with a church. Many boats, the crews all furnished with torches, glided over the silent expanse—but these fires had not been kindled for catching fish, for everything had a festive look. Music sounded, a song was sung, and in one of the boats the man stood erect to whom homage was paid by the rest, a tall sturdy man, wrapped in a cloak. He had blue eyes and long white hair. I knew him, and thought of the Vatican, and of the group of the Nile, and the old marble gods. I thought of the simple little room where little Bertel sat in his night-shirt by the spinning wheel. The wheel of time has turned, and new gods have come forth from the stone. From the boats there arose a shout: ‘Hurrah, hurrah for Bertel Thorwaldsen!’”

Twenty-Fourth Evening

“I WILL now give you a picture from Frankfort,” said the Moon. “I especially noticed one building there. It was not the house in which Goethe was born, nor the old Council House, through whose grated windows peered the horns of the oxen that were roasted and given to the people when the emperors were crowned. No, it was a private house, plain in appearance, and painted green. It stood near the old Jews’ Street. It was Rothschild’s house.

“I looked through the open door. The staircase was brilliantly lighted: servants carrying wax candles in massive silver candlesticks stood there, and bowed low before an old woman, who was being brought downstairs in a litter. The proprietor of the house stood bare-headed, and respectfully imprinted a kiss on the hand of the old woman. She was his mother. She nodded in a friendly manner to him and to the servants, and they carried her into the dark narrow street, into a little house, that was her dwelling. Here her children had been born, from hence the fortune of the family had arisen. If she deserted the despised street and the little house, fortune would also desert her children. That was her firm belief.”

The Moon told me no more; his visit this evening was far too short. But I thought of the old woman in the narrow despised street. It would have cost her but a word, and a brilliant house would have arisen for her on the banks of the Thames—a word, and a villa would have been prepared in the Bay of Naples.

“If I deserted the lowly house, where the fortunes of my sons first began to bloom, fortune would desert them!” It was a superstition, but a superstition of such a class, that he who knows the story and has seen this picture, need have only two words placed under the picture to make him understand it; and these two words are: “A mother.”

Twenty-Fifth Evening

“IT was yesterday, in the morning twilight”—these are the words the Moon told me—“in the great city no chimney was yet smoking—and it was just at the chimneys that I was looking. Suddenly a little head emerged from one of them, and then half a body, the arms resting on the rim of the chimney-pot. ‘Ya-hip! ya-hip!’ cried a voice. It was the little chimney-sweeper, who had for the first time in his life crept through a chimney, and stuck out his head at the top. ‘Ya-hip! ya-hip’ Yes, certainly that was a very different thing to creeping about in the dark narrow chimneys! the air blew so fresh, and he could look over the whole city towards the green wood. The sun was just rising. It shone round and great, just in his face, that beamed with triumph, though it was very prettily blacked with soot.

“‘The whole town can see me now,’ he exclaimed, ‘and the moon can see me now, and the sun too. Ya-hip! ya-hip!’ And he flourished his broom in triumph.”

Twenty-Sixth Evening

“LAST night I looked down upon a town in China,” said the Moon. “My beams irradiated the naked walls that form the streets there. Now and then, certainly, a door is seen; but it is locked, for what does the Chinaman care about the outer world? Close wooden shutters covered the windows behind the walls of the houses; but through the windows of the temple a faint light glimmered. I looked in, and saw the quaint decorations within. From the floor to the ceiling pictures are painted, in the most glaring colours, and richly gilt— pictures representing the deeds of the gods here on earth. In each niche statues are placed, but they are almost entirely hidden by the coloured drapery and the banners that hang down. Before each idol (and they are all made of tin) stood a little altar of holy water, with flowers and burning wax lights on it. Above all the rest stood Fo, the chief deity, clad in a garment of yellow silk, for yellow is here the sacred colour. At the foot of the altar sat a living being, a young priest. He appeared to be praying, but in the midst of his prayer he seemed to fall into deep thought, and this must have been wrong, for his cheeks glowed and he held down his head. Poor Soui-Hong! Was he, perhaps, dreaming of working in the little flower garden behind the high street wall? And did that occupation seem more agreeable to him than watching the wax lights in the temple? Or did he wish to sit at the rich feast, wiping his mouth with silver paper between each course? Or was his sin so great that, if he dared utter it, the Celestial Empire would punish it with death? Had his thoughts ventured to fly with the ships of the barbarians, to their homes in far distant England? No, his thoughts did not fly so far, and yet they were sinful, sinful as thoughts born of young hearts, sinful here in the temple, in the presence of Fo and the other holy gods.

“I know whither his thoughts had strayed. At the farther end of the city, on the flat roof paved with porcelain, on which stood the handsome vases covered with painted flowers, sat the beauteous Pu, of the little roguish eyes, of the full lips, and of the tiny feet. The tight shoe pained her, but her heart pained her still more. She lifted her graceful round arm, and her satin dress rustled. Before her stood a glass bowl containing four gold-fish. She stirred the bowl carefully with a slender lacquered stick, very slowly, for she, too, was lost in thought. Was she thinking, perchance, how the fishes were richly clothed in gold, how they lived calmly and peacefully in their crystal world, how they were regularly fed, and yet how much happier they might be if they were free? Yes, that she could well understand, the beautiful Pu. Her thoughts wandered away from her home, wandered to the temple, but not for the sake of holy things. Poor Pu! Poor Soui-hong!

“Their earthly thoughts met, but my cold beam lay between the two, like the sword of the cherub.”

Twenty-Seventh Evening

“THE air was calm,” said the Moon; “the water was transparent as the purest ether through which I was gliding, and deep below the surface I could see the strange plants that stretched up their long arms towards me like the gigantic trees of the forest. The fishes swam to and fro above their tops. High in the air a flight of wild swans were winging their way, one of which sank lower and lower, with wearied pinions, his eyes following the airy caravan, that melted farther and farther into the distance. With outspread wings he sank slowly, as a soap bubble sinks in the still air, till he touched the water. At length his head lay back between his wings, and silently he lay there, like a white lotus flower upon the quiet lake. And a gentle wind arose, and crisped the quiet surface, which gleamed like the clouds that poured along in great broad waves; and the swan raised his head, and the glowing water splashed like blue fire over his breast and back. The morning dawn illuminated the red clouds, the swan rose strengthened, and flew towards the rising sun, towards the bluish coast whither the caravan had gone; but he flew alone, with a longing in his breast. Lonely he flew over the blue swelling billows.”

Twenty-Eighth Evening

“I WILL give you another picture of Sweden,” said the Moon. “Among dark pine woods, near the melancholy banks of the Stoxen, lies the old convent church of Wreta. My rays glided through the grating into the roomy vaults, where kings sleep tranquilly in great stone coffins. On the wall, above the grave of each, is placed the emblem of earthly grandeur, a kingly crown; but it is made only of wood, painted and gilt, and is hung on a wooden peg driven into the wall. The worms have gnawed the gilded wood, the spider has spun her web from the crown down to the sand, like a mourning banner, frail and transient as the grief of mortals. How quietly they sleep! I can remember them quite plainly. I still see the bold smile on their lips, that so strongly and plainly expressed joy or grief. When the steamboat winds along like a magic snail over the lakes, a stranger often comes to the church, and visits the burial vault; he asks the names of the kings, and they have a dead and forgotten sound. He glances with a smile at the worm-eaten crowns, and if he happens to be a pious, thoughtful man, something of melancholy mingles with the smile. Slumber on, ye dead ones! The Moon thinks of you, the Moon at night sends down his rays into your silent kingdom, over which hangs the crown of pine wood.”

Twenty-Ninth Evening

“CLOSE by the high-road,” said the Moon, “is an inn, and opposite to it is a great waggon-shed, whose straw roof was just being re-thatched. I looked down between the bare rafters and through the open loft into the comfortless space below. The turkey-cock slept on the beam, and the saddle rested in the empty crib. In the middle of the shed stood a travelling carriage; the proprietor was inside, fast asleep, while the horses were being watered. The coachman stretched himself, though I am very sure that he had been most comfortably asleep half the last stage. The door of the servants’ room stood open, and the bed looked as if it had been turned over and over; the candle stood on the floor, and had burnt deep down into the socket. The wind blew cold through the shed: it was nearer to the dawn than to midnight. In the wooden frame on the ground slept a wandering family of musicians. The father and mother seemed to be dreaming of the burning liquor that remained in the bottle. The little pale daughter was dreaming too, for her eyes were wet with tears. The harp stood at their heads, and the dog lay stretched at their feet.”

Thirtieth Evening

“IT was in a little provincial town,” the Moon said; “it certainly happened last year, but that has nothing to do with the matter. I saw it quite plainly. To-day I read about it in the papers, but there it was not half so clearly expressed. In the taproom of the little inn sat the bear leader, eating his supper; the bear was tied up outside, behind the wood pile—poor Bruin, who did nobody any harm, though he looked grim enough. Up in the garret three little children were playing by the light of my beams; the eldest was perhaps six years old, the youngest certainly not more than two. ‘Tramp, tramp’— somebody was coming upstairs: who might it be? The door was thrust open—it was Bruin, the great, shaggy Bruin! He had got tired of waiting down in the courtyard, and had found his way to the stairs. I saw it all,” said the Moon. “The children were very much frightened at first at the great shaggy animal; each of them crept into a corner, but he found them all out, and smelt at them, but did them no harm. ‘This must be a great dog,’ they said, and began to stroke him. He lay down upon the ground, the youngest boy clambered on his back, and bending down a little head of golden curls, played at hiding in the beast’s shaggy skin. Presently the eldest boy took his drum, and beat upon it till it rattled again; the bear rose upon his hind legs, and began to dance. It was a charming sight to behold. Each boy now took his gun, and the bear was obliged to have one too, and he held it up quite properly. Here was a capital playmate they had found; and they began marching—one, two; one, two.

“Suddenly some one came to the door, which opened, and the mother of the children appeared. You should have seen her in her dumb terror, with her face as white as chalk, her mouth half open, and her eyes fixed in a horrified stare. But the youngest boy nodded to her in great glee, and called out in his infantile prattle, ‘We’re playing at soldiers.’ And then the bear leader came running up.”

Thirty-First Evening

THE wind blew stormy and cold, the clouds flew hurriedly past; only for a moment now and then did the Moon become visible. He said, “I looked down from the silent sky upon the driving clouds, and saw the great shadows chasing each other across the earth. I looked upon a prison. A closed carriage stood before it; a prisoner was to be carried away. My rays pierced through the grated window towards the wall; the prisoner was scratching a few lines upon it, as a parting token; but he did not write words, but a melody, the outpouring of his heart. The door was opened, and he was led forth, and fixed his eyes upon my round disc. Clouds passed between us, as if he were not to see his face, nor I his. He stepped into the carriage, the door was closed, the whip cracked, and the horses gallopped off into the thick forest, whither my rays were not able to follow him; but as I glanced through the grated window, my rays glided over the notes, his last farewell engraved on the prison wall—where words fail, sounds can often speak. My rays could only light up isolated notes, so the greater part of what was written there will ever remain dark to me. Was it the death-hymn he wrote there? Were these the glad notes of joy? Did he drive away to meet death, or hasten to the embraces of his beloved? The rays of the Moon do not read all that is written by mortals.”

Thirty-Second Evening

“I LOVE the children,” said the Moon, “especially the quite little ones—they are so droll. Sometimes I peep into the room, between the curtain and the window frame, when they are not thinking of me. It gives me pleasure to see them dressing and undressing. First, the little round naked shoulder comes creeping out of the frock, then the arm; or I see how the stocking is drawn off, and a plump little white leg makes its appearance, and a white little foot that is fit to be kissed, and I kiss it too.

“But about what I was going to tell you. This evening I looked through a window, before which no curtain was drawn, for nobody lives opposite. I saw a whole troop of little ones, all of one family, and among them was a little sister. She is only four years old, but can say her prayers as well as any of the rest. The mother sits by her bed every evening, and hears her say her prayers; and then she has a kiss, and the mother sits by the bed till the little one has gone to sleep, which generally happens as soon as ever she can close her eyes.

“This evening the two elder children were a little boisterous. One of them hopped about on one leg in his long white nightgown, and the other stood on a chair surrounded by the clothes of all the children, and declared he was acting Grecian statues. The third and fourth laid the clean linen carefully in the box, for that is a thing that has to be done; and the mother sat by the bed of the youngest, and announced to all the rest that they were to be quiet, for little sister was going to say her prayers.

“I looked in, over the lamp, into the little maiden’s bed, where she lay under the neat white coverlet, her hands folded demurely and her little face quite grave and serious. She was praying the Lord’s prayer aloud. But her mother interrupted her in the middle of her prayer. ‘How is it,’ she asked, ‘that when you have prayed for daily bread, you always add something I cannot understand? You must tell me what that is.’ The little one lay silent, and looked at her mother in embarrassment. ‘What is it you say after our daily bread?’ ‘Dear mother, don’t be angry: I only said, and plenty of butter on it.’”

 

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Writer’s Corner: The Importance of “Thank You”

As most of you probably know, being an author is a very solitary profession. We spend hours on end alone with our thoughts, a notebook, or a computer, and there isn’t much that makes us happier. Being a writer isn’t just a hobby or profession—it’s a way of life. Sometimes it’s comfortable and sometimes it’s lonely, and despite all the self-doubt that comes with writing, those of us who truly love it with return to it no matter what.

However, we sometimes forget that although we may be mostly solitary creatures, our success relies on people. It relies on the people who edit our books, create our beautiful cover art, and read the stories we devoted so much of our time to. Without these people, we cannot possibly hope to see our books receive the attention that we know they deserve.

So now, I just want to take the time to thank everyone who worked on and read my books. Without all of you, I wouldn’t have made it as far as I have. As I have said many times before, I started The Prince of Prophecy series to prove a point, but I finished it because of all the support I received from my friends and fans. If you guys hadn’t been there to cheer me on, I don’t think I would have even finished book 1 (Destined). Now, I’m working on getting my third book published and I’m as passionate about my work as I’ve ever been, all because I had you guys pushing me forward even when the road got a little bumpy.

These books are going to take off because I know they’re really good (if you don’t already know this, check out the FIRST and SECOND books on amazon), and once they do take off I’m not going to forget that it took a lot of people to get there. Authors (creative people in general), never forget about the people who cheered you on and believed that you could do it, because they’re a large part of the reason that you have reached, or will reach, your goals.

Give your friends, family, and fans some love for all their support every now and then. They deserve it!

 

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Jacob and Wilhelm Grimm’s “Rapunzel”

Arthur_Rackham_Rapunzel

Once upon a time there was a man and a woman who had long, but to no avail, wished for a child. Finally the woman came to believe that the good Lord would fulfill her wish. Through the small rear window of these people’s house they could see into a splendid garden that was filled with the most beautiful flowers and herbs. The garden was surrounded by a high wall, and no one dared enter, because it belonged to a sorceress who possessed great power and was feared by everyone.

One day the woman was standing at this window, and she saw a bed planted with the most beautiful rapunzel. It looked so fresh and green that she longed for some. It was her greatest desire to eat some of the rapunzel. This desire increased with every day, and not knowing how to get any, she became miserably ill.

Her husband was frightened, and asked her, “What ails you, dear wife?”

“Oh,” she answered, “if I do not get some rapunzel from the garden behind our house, I shall die.”

The man, who loved her dearly, thought, “Before you let your wife die, you must get her some of the rapunzel, whatever the cost.”

So just as it was getting dark he climbed over the high wall into the sorceress’s garden, hastily dug up a handful of rapunzel, and took it to his wife. She immediately made a salad from it, which she devoured eagerly. It tasted so very good to her that by the next day her desire for more had grown threefold. If she were to have any peace, the man would have to climb into the garden once again. Thus he set forth once again just as it was getting dark. But no sooner than he had climbed over the wall than, to his horror, he saw the sorceress standing there before him.

“How can you dare,” she asked with an angry look, “to climb into my garden and like a thief to steal my rapunzel? You will pay for this.”

“Oh,” he answered, “Let mercy overrule justice. I came to do this out of necessity. My wife saw your rapunzel from our window, and such a longing came over her, that she would die, if she did not get some to eat.”

The sorceress’s anger abated somewhat, and she said, “If things are as you say, I will allow you to take as much rapunzel as you want. But under one condition: You must give me the child that your wife will bring to the world. It will do well, and I will take care of it like a mother.”

In his fear the man agreed to everything.

When the woman gave birth, the sorceress appeared, named the little girl Rapunzel, and took her away. Rapunzel became the most beautiful child under the sun. When she was twelve years old, the fairy locked her in a tower that stood in a forest and that had neither a door nor a stairway, but only a tiny little window at the very top.

When the sorceress wanted to enter, she stood below and called out:

Rapunzel, Rapunzel,
Let down your hair to me.

Rapunzel had splendid long hair, as fine as spun gold. When she heard the sorceress’s voice, she untied her braids, wound them around a window hook, let her hair fall twenty yards to the ground, and the sorceress climbed up it.

A few years later it happened that a king’s son was riding through the forest. As he approached the tower he heard a song so beautiful that he stopped to listen. It was Rapunzel, who was passing the time by singing with her sweet voice. The prince wanted to climb up to her, and looked for a door in the tower, but none was to be found.

He rode home, but the song had so touched his heart that he returned to the forest every day and listened to it. One time, as he was thus standing behind a tree, he saw the sorceress approach, and heard her say:

Rapunzel, Rapunzel,
Let down your hair.

Then Rapunzel let down her strands of hair, and the sorceress climbed up them to her.

“If that is the ladder into the tower, then sometime I will try my luck.”

And the next day, just as it was beginning to get dark, he went to the tower and called out:

Rapunzel, Rapunzel,
Let down your hair.

The hair fell down, and the prince climbed up.

At first Rapunzel was terribly frightened when a man such as she had never seen before came in to her. However, the prince began talking to her in a very friendly manner, telling her that his heart had been so touched by her singing that he could have no peace until he had seen her in person. Then Rapunzel lost her fear, and when he asked her if she would take him as her husband, she thought, “He would rather have me than would old Frau Gothel.” She said yes and placed her hand into his.

She said, “I would go with you gladly, but I do not know how to get down. Every time that you come, bring a strand of silk, from which I will weave a ladder. When it is finished I will climb down, and you can take me away on your horse.” They arranged that he would come to her every evening, for the old woman came by day.

The sorceress did not notice what was happening until one day Rapunzel said to her, “Frau Gothel, tell me why it is that you are more difficult to pull up than is the young prince, who will be arriving any moment now?”

“You godless child,” cried the sorceress. “What am I hearing from you? I thought I had removed you from the whole world, but you have deceived me nonetheless.”

In her anger she grabbed Rapunzel’s beautiful hair, wrapped it a few times around her left hand, grasped a pair of scissors with her right hand, and snip snap, cut it off. And she was so unmerciful that she took Rapunzel into a wilderness where she suffered greatly.

On the evening of the same day that she sent Rapunzel away, the fairy tied the cut-off hair to the hook at the top of the tower, and when the prince called out:

Rapunzel, Rapunzel,
Let down your hair.

she let down the hair.

The prince climbed up, but above, instead of his beloved Rapunzel, he found the sorceress, who peered at him with poisonous and evil looks.

“Aha!” she cried scornfully. “You have come for your Mistress Darling, but that beautiful bird is no longer sitting in her nest, nor is she singing any more. The cat got her, and will scratch your eyes out as well. You have lost Rapunzel. You will never see her again.”

The prince was overcome with grief, and in his despair he threw himself from the tower. He escaped with his life, but the thorns into which he fell poked out his eyes. Blind, he wandered about in the forest, eating nothing but grass and roots, and doing nothing but weeping and wailing over the loss of his beloved wife. Thus he wandered about miserably for some years, finally happening into the wilderness where Rapunzel lived miserably with the twins that she had given birth to.

He heard a voice and thought it was familiar. He advanced toward it, and as he approached, Rapunzel recognized him, and crying, threw her arms around his neck. Two of her tears fell into his eyes, and they became clear once again, and he could see as well as before. He led her into his kingdom, where he was received with joy, and for a long time they lived happily and satisfied.

 

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Writer’s Corner: “The Clearing” Book Review

*****

The Clearing by Samantha Cook: 5 out of 5 Stars 

The Clearing by Samantha Cook is a suspenseful post-apocalyptic novel about a teenage girl named Ruby. Ruby desperately wants to see what lies beyond her tiny village of 300 people, but no one is allowed outside—unless of course you’re Sentenced. Sentenced people are forced to leave the village and venture out into an unknown world filled with “soulless”—otherwise known as zombies. Every Sentenced person has willingly run from the clearing and away from the only home they’ve ever know and Ruby doesn’t understand why. I mean, running into a forest filled with the undead is almost certain death, right? After Ruby gets into a bit of trouble with the town’s leader, Orwin, she and her friends embark on a heart-pounding journey of survival and heartbreak as they look to answer the question: are they really the last people on earth?

This book was very well written—I would expect no less from a professional editor—and held my interest from beginning to end. Ruby is a very interesting character, and although it took me a while to warm up to her, I ended up rooting for her in the end. The people who accompany her on her journey (her older brother, her boyfriend—for lack of a better word—her best friend, and the guy who’s got a crush on her best friend) are all wonderful characters who each bring something unique to the group. Although the story was, at times, difficult to read–as my poor heart can only take so much at a time–this post-apocalyptic novel did what it was supposed to: it kept me on the edge of my seat pretty much the entire way through.

The plot moved quickly, and there didn’t seem to be one unnecessary scene in the entire novel. Though I would have liked to get to know Ruby’s companions a little better, I got a general overview of who they were and what they stood for from the way they interacted with the main character. Overall I think all of the characters grew into better versions of themselves by the end of the story, most especially Ruby. The character development didn’t bog down the story with tons of insignificant details—like some stories tend to do—and everything progressed at a natural pace.

For those of you who like quick, suspenseful reads with twist endings, The Clearing will definitely be the book for you. I say “will” because Samantha is looking to have her amazing book professionally published right now, so, unfortunately, you won’t see it on the shelves of your local bookstore for a while. However, until then, you can visit Samantha’s blog, Scookie Reviews, and check out her writing advice and novel reviews.

 

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Rudyard Kipling’s “How Fear Came”

Sorry I’m a little late with this guys! My schedule has been pretty hectic for the last couple of weeks… Anyway! I have some good news–we’ve finished the first Jungle Book, which means we’re moving on to the second! Hurray!!! I hope you guys enjoy How Fear Came by Rudyard Kipling!

 

The stream is shrunk–the pool is dry,
And we be comrades, thou and I;
With fevered jowl and dusty flank
Each jostling each along the bank;
And by one drouthy fear made still,
Forgoing thought of quest or kill.
Now ‘neath his dam the fawn may see,
The lean Pack-wolf as cowed as he,
And the tall buck, unflinching, note
The fangs that tore his father’s throat.
The pools are shrunk–the streams are dry,
And we be playmates, thou and I,
Till yonder cloud–Good Hunting!–loose
The rain that breaks our Water Truce.

The Law of the Jungle–which is by far the oldest law in the world–has arranged for almost every kind of accident that may befall the Jungle People, till now its code is as perfect as time and custom can make it. You will remember that Mowgli spent a great part of his life in the Seeonee Wolf-Pack, learning the Law from Baloo, the Brown Bear; and it was Baloo who told him, when the boy grew impatient at the constant orders, that the Law was like the Giant Creeper, because it dropped across every one’s back and no one could escape. “When thou hast lived as long as I have, Little Brother, thou wilt see how all the Jungle obeys at least one Law. And that will be no pleasant sight,” said Baloo.

This talk went in at one ear and out at the other, for a boy who spends his life eating and sleeping does not worry about anything till it actually stares him in the face. But, one year, Baloo’s words came true, and Mowgli saw all the Jungle working under the Law.

It began when the winter Rains failed almost entirely, and Ikki, the Porcupine, meeting Mowgli in a bamboo-thicket, told him that the wild yams were drying up. Now everybody knows that Ikki is ridiculously fastidious in his choice of food, and will eat nothing but the very best and ripest. So Mowgli laughed and said, “What is that to me?”

“Not much now,” said Ikki, rattling his quills in a stiff, uncomfortable way, “but later we shall see. Is there any more diving into the deep rock-pool below the Bee-Rocks, Little Brother?”

“No. The foolish water is going all away, and I do not wish to break my head,” said Mowgii, who, in those days, was quite sure that he knew as much as any five of the Jungle People put together.

“That is thy loss. A small crack might let in some wisdom.” Ikki ducked quickly to prevent Mowgli from pulling his nose-bristles, and Mowgli told Baloo what Ikki had said. Baloo looked very grave, and mumbled half to himself: “If I were alone I would change my hunting-grounds now, before the others began to think. And yet–hunting among strangers ends in fighting; and they might hurt the Man-cub. We must wait and see how the mohwa blooms.”

That spring the mohwa tree, that Baloo was so fond of, never flowered. The greeny, cream-coloured, waxy blossoms were heat-killed before they were born, and only a few bad-smelling petals came down when he stood on his hind legs and shook the tree. Then, inch by inch, the untempered heat crept into the heart of the Jungle, turning it yellow, brown, and at last black. The green growths in the sides of the ravines burned up to broken wires and curled films of dead stuff; the hidden pools sank down and caked over, keeping the last least footmark on their edges as if it had been cast in iron; the juicy-stemmed creepers fell away from the trees they clung to and died at their feet; the bamboos withered, clanking when the hot winds blew, and the moss peeled off the rocks deep in the Jungle, till they were as bare and as hot as the quivering blue boulders in the bed of the stream.

The birds and the monkey-people went north early in the year, for they knew what was coming; and the deer and the wild pig broke far away to the perished fields of the villages, dying sometimes before the eyes of men too weak to kill them. Chil, the Kite, stayed and grew fat, for there was a great deal of carrion, and evening after evening he brought the news to the beasts, too weak to force their way to fresh hunting-grounds, that the sun was killing the Jungle for three days” flight in every direction.

Mowgli, who had never known what real hunger meant, fell back on stale honey, three years old, scraped out of deserted rock-hives–honey black as a sloe, and dusty with dried sugar. He hunted, too, for deep-boring grubs under the bark of the trees, and robbed the wasps of their new broods. All the game in the jungle was no more than skin and bone, and Bagheera could kill thrice in a night, and hardly get a full meal. But the want of water was the worst, for though the Jungle People drink seldom they must drink deep.

And the heat went on and on, and sucked up all the moisture, till at last the main channel of the Waingunga was the only stream that carried a trickle of water between its dead banks; and when Hathi, the wild elephant, who lives for a hundred years and more, saw a long, lean blue ridge of rock show dry in the very centre of the stream, he knew that he was looking at the Peace Rock, and then and there he lifted up his trunk and proclaimed the Water Truce, as his father before him had proclaimed it fifty years ago. The deer, wild pig, and buffalo took up the cry hoarsely; and Chil, the Kite, flew in great circles far and wide, whistling and shrieking the warning.

By the Law of the Jungle it is death to kill at the drinking-places when once the Water Truce has been declared. The reason of this is that drinking comes before eating. Every one in the Jungle can scramble along somehow when only game is scarce; but water is water, and when there is but one source of supply, all hunting stops while the Jungle People go there for their needs. In good seasons, when water was plentiful, those who came down to drink at the Waingunga–or anywhere else, for that matter–did so at the risk of their lives, and that risk made no small part of the fascination of the night’s doings. To move down so cunningly that never a leaf stirred; to wade knee-deep in the roaring shallows that drown all noise from behind; to drink, looking backward over one shoulder, every muscle ready for the first desperate bound of keen terror; to roll on the sandy margin, and return, wet-muzzled and well plumped out, to the admiring herd, was a thing that all tall-antlered young bucks took a delight in, precisely because they knew that at any moment Bagheera or Shere Khan might leap upon them and bear them down. But now all that life-and-death fun was ended, and the Jungle People came up, starved and weary, to the shrunken river,–tiger, bear, deer, buffalo, and pig, all together,–drank the fouled waters, and hung above them, too exhausted to move off.

The deer and the pig had tramped all day in search of something better than dried bark and withered leaves. The buffaloes had found no wallows to be cool in, and no green crops to steal. The snakes had left the Jungle and come down to the river in the hope of finding a stray frog. They curled round wet stones, and never offered to strike when the nose of a rooting pig dislodged them. The river-turtles had long ago been killed by Bagheera, cleverest of hunters, and the fish had buried themselves deep in the dry mud. Only the Peace Rock lay across the shallows like a long snake, and the little tired ripples hissed as they dried on its hot side.

It was here that Mowgli came nightly for the cool and the companionship. The most hungry of his enemies would hardly have cared for the boy then, His naked hide made him seem more lean and wretched than any of his fellows. His hair was bleached to tow colour by the sun; his ribs stood out like the ribs of a basket, and the lumps on his knees and elbows, where he was used to track on all fours, gave his shrunken limbs the look of knotted grass-stems. But his eye, under his matted forelock, was cool and quiet, for Bagheera was his adviser in this time of trouble, and told him to go quietly, hunt slowly, and never, on any account, to lose his temper.

“It is an evil time,” said the Black Panther, one furnace-hot evening, “but it will go if we can live till the end. Is thy stomach full, Man-cub?”

“There is stuff in my stomach, but I get no good of it. Think you, Bagheera, the Rains have forgotten us and will never come again?”

“Not I! We shall see the mohwa in blossom yet, and the little fawns all fat with new grass. Come down to the Peace Rock and hear the news. On my back, Little Brother.”

“This is no time to carry weight. I can still stand alone, but–indeed we be no fatted bullocks, we two.”

Bagheera looked along his ragged, dusty flank and whispered. “Last night I killed a bullock under the yoke. So low was I brought that I think I should not have dared to spring if he had been loose. Wou!”

Mowgli laughed. “Yes, we be great hunters now,” said he. “I am very bold–to eat grubs,” and the two came down together through the crackling undergrowth to the river-bank and the lace-work of shoals that ran out from it in every direction.

“The water cannot live long,” said Baloo, joining them. “Look across. Yonder are trails like the roads of Man.”

On the level plain of the farther bank the stiff jungle-grass had died standing, and, dying, had mummied. The beaten tracks of the deer and the pig, all heading toward the river, had striped that colourless plain with dusty gullies driven through the ten-foot grass, and, early as it was, each long avenue was full of first-comers hastening to the water. You could hear the does and fawns coughing in the snuff-like dust.

Up-stream, at the bend of the sluggish pool round the Peace Rock, and Warden of the Water Truce, stood Hathi, the wild elephant, with his sons, gaunt and gray in the moonlight, rocking to and fro–always rocking. Below him a little were the vanguard of the deer; below these, again, the pig and the wild buffalo; and on the opposite bank, where the tall trees came down to the water’s edge, was the place set apart for the Eaters of Flesh–the tiger, the wolves, the panther, the bear, and the others.

“We are under one Law, indeed,” said Bagheera, wading into the water and looking across at the lines of clicking horns and starting eyes where the deer and the pig pushed each other to and fro. “Good hunting, all you of my blood,” he added, lying own at full length, one flank thrust out of the shallows; and then, between his teeth, “But for that which is the Law it would be very good hunting.”

The quick-spread ears of the deer caught the last sentence, and a frightened whisper ran along the ranks. “The Truce! Remember the Truce!”

“Peace there, peace!” gurgled Hathi, the wild elephant. “The Truce holds, Bagheera. This is no time to talk of hunting.”

“Who should know better than I?” Bagheera answered, rolling his yellow eyes up-stream. “I am an eater of turtles–a fisher of frogs. Ngaayah! Would I could get good from chewing branches!”

We wish so, very greatly,” bleated a young fawn, who had only been born that spring, and did not at all like it. Wretched as the Jungle People were, even Hathi could not help chuckling; while Mowgli, lying on his elbows in the warm water, laughed aloud, and beat up the scum with his feet.

“Well spoken, little bud-horn,” Bagheera purred. “When the Truce ends that shall be remembered in thy favour,” and he looked keenly through the darkness to make sure of recognising the fawn again.

Gradually the talking spread up and down the drinking-places. One could hear the scuffling, snorting pig asking for more room; the buffaloes grunting among themselves as they lurched out across the sand-bars, and the deer telling pitiful stories of their long foot-sore wanderings in quest of food. Now and again they asked some question of the Eaters of Flesh across the river, but all the news was bad, and the roaring hot wind of the Jungle came and went between the rocks and the rattling branches, and scattered twigs, and dust on the water.

“The men-folk, too, they die beside their ploughs,” said a young sambhur. “I passed three between sunset and night. They lay still, and their Bullocks with them. We also shall lie still in a little.”

“The river has fallen since last night,” said Baloo. “O Hathi, hast thou ever seen the like of this drought?”

“It will pass, it will pass,” said Hathi, squirting water along his back and sides.

“We have one here that cannot endure long,” said Baloo; and he looked toward the boy he loved.

“I?” said Mowgli indignantly, sitting up in the water. “I have no long fur to cover my bones, but–but if thy hide were taken off, Baloo—-”

Hathi shook all over at the idea, and Baloo said severely:

“Man-cub, that is not seemly to tell a Teacher of the Law. Never have I been seen without my hide.”

“Nay, I meant no harm, Baloo; but only that thou art, as it were, like the cocoanut in the husk, and I am the same cocoanut all naked. Now that brown husk of thine—-” Mowgli was sitting cross-legged, and explaining things with his forefinger in his usual way, when Bagheera put out a paddy paw and pulled him over backward into the water.

“Worse and worse,” said the Black Panther, as the boy rose spluttering. “First Baloo is to be skinned, and now he is a cocoanut. Be careful that he does not do what the ripe cocoanuts do.”

“And what is that?” said Mowgli, off his guard for the minute, though that is one of the oldest catches in the Jungle.

“Break thy head,” said Bagheera quietly, pulling him under again.

“It is not good to make a jest of thy teacher,” said the bear, when Mowgli had been ducked for the third time.

“Not good! What would ye have? That naked thing running to and fro makes a monkey-jest of those who have once been good hunters, and pulls the best of us by the whiskers for sport.” This was Shere Khan, the Lame Tiger, limping down to the water. He waited a little to enjoy the sensation he made among the deer on the opposite to lap, growling: “The jungle has become a whelping-ground for naked cubs now. Look at me, Man-cub!”

Mowgli looked–stared, rather–as insolently as he knew how, and in a minute Shere Khan turned away uneasily. “Man-cub this, and Man-cub that,” he rumbled, going on with his drink, “the cub is neither man nor cub, or he would have been afraid. Next season I shall have to beg his leave for a drink. Augrh!”

“That may come, too,” said Bagheera, looking him steadily between the eyes. “That may come, too–Faugh, Shere Khan!–what new shame hast thou brought here?”

The Lame Tiger had dipped his chin and jowl in the water, and dark, oily streaks were floating from it down-stream.

“Man!” said Shere Khan coolly, “I killed an hour since.” He went on purring and growling to himself.

The line of beasts shook and wavered to and fro, and a whisper went up that grew to a cry. “Man! Man! He has killed Man!” Then all looked towards Hathi, the wild elephant, but he seemed not to hear. Hathi never does anything till the time comes, and that is one of the reasons why he lives so long.

“At such a season as this to kill Man! Was no other game afoot?” said Bagheera scornfully, drawing himself out of the tainted water, and shaking each paw, cat-fashion, as he did so.

“I killed for choice–not for food.” The horrified whisper began again, and Hathi’s watchful little white eye cocked itself in Shere Khan’s direction. “For choice,” Shere Khan drawled. “Now come I to drink and make me clean again. Is there any to forbid?”

Bagheera’s back began to curve like a bamboo in a high wind, but Hathi lifted up his trunk and spoke quietly.

“Thy kill was from choice?” he asked; and when Hathi asks a question it is best to answer.

“Even so. It was my right and my Night. Thou knowest, O Hathi.” Shere Khan spoke almost courteously.

“Yes, I know,” Hathi answered; and, after a little silence, “Hast thou drunk thy fill?”

“For to-night, yes.”

“Go, then. The river is to drink, and not to defile. None but the Lame Tiger would so have boasted of his right at this season when–when we suffer together–Man and Jungle People alike.” Clean or unclean, get to thy lair, Shere Khan!”

The last words rang out like silver trumpets, and Hathi’s three sons rolled forward half a pace, though there was no need. Shere Khan slunk away, not daring to growl, for he knew–what every one else knows–that when the last comes to the last, Hathi is the Master of the Jungle.

“What is this right Shere Khan speaks of?” Mowgli whispered in Bagheera’s ear. “To kill Man is always, shameful. The Law says so. And yet Hathi says—-”

“Ask him. I do not know, Little Brother. Right or no right, if Hathi had not spoken I would have taught that lame butcher his lesson. To come to the Peace Rock fresh from a kill of Man–and to boast of it–is a jackal’s trick. Besides, he tainted the good water.”

Mowgli waited for a minute to pick up his courage, because no one cared to address Hathi directly, and then he cried: “What is Shere Khan’s right, O Hathi?” Both banks echoed his words, for all the People of the Jungle are intensely curious, and they had just seen something that none except Baloo, who looked very thoughtful, seemed to understand.

“It is an old tale,” said Hathi; “a tale older than the Jungle. Keep silence along the banks and I will tell that tale.”

There was a minute or two of pushing a shouldering among the pigs and the buffalo, and then the leaders of the herds grunted, one after another, “We wait,” and Hathi strode forward, till he was nearly knee-deep in the pool by the Peace Rock. Lean and wrinkled and yellow-tusked though he was, he looked what the Jungle knew him to be–their master.

“Ye know, children,” he began, “that of all things ye most fear Man”; and there was a mutter of agreement.

“This tale touches thee, Little Brother,” said Bagheera to Mowgli.

“I? I am of the Pack–a hunter of the Free People,” Mowgli answered. “What have I to do with Man?”

“And ye do not know why ye fear Man?” Hathi went on. “This is the reason. In the beginning of the Jungle, and none know when that was, we of the Jungle walked together, having no fear of one another. In those days there was no drought, and leaves and flowers and fruit grew on the same tree, and we ate nothing at all except leaves and flowers and grass and fruit and bark.”

“I am glad I was not born in those days,” said Bagheera. “Bark is only good to sharpen claws.”

“And the Lord of the Jungle was Tha, the First of the Elephants. He drew the Jungle out of deep waters with his trunk; and where he made furrows in the ground with his tusks, there the rivers ran; and where he struck with his foot, there rose ponds of good water; and when he blew through his trunk,– thus,–the trees fell. That was the manner in which the Jungle was made by Tha; and so the tale was told to me.”

“It has not lost fat in the telling,” Bagheera whispered, and Mowgli laughed behind his hand.

“In those days there was no corn or melons or pepper or sugar-cane, nor were there any little huts such as ye have all seen; and the Jungle People knew nothing of Man, but lived in the Jungle together, making one people. But presently they began to dispute over their food, though there was grazing enough for all. They were lazy. Each wished to eat where he lay, as sometimes we can do now when the spring rains are good. Tha, the First of the Elephants, was busy making new jungles and leading the rivers in their beds. He could not walk in all places; therefore he made the First of the Tigers the master and the judge of the Jungle, to whom the Jungle People should bring their disputes. In those days the First of the Tigers ate fruit and grass with the others. He was as large as I am, and he was very beautiful, in colour all over like the blossom of the yellow creeper. There was never stripe nor bar upon his hide in those good days when this the Jungle was new. All the Jungle People came before him without fear, and his word was the Law of all the Jungle. We were then, remember ye, one people.

“Yet upon a night there was a dispute between two bucks–a grazing-quarrel such as ye now settle with the horns and the fore-feet–and it is said that as the two spoke together before the First of the First of the Tigers lying among the flowers, a buck pushed him with his horns, and the First of the Tigers forgot that he was the master and judge of the Jungle, and, leaping upon that buck, broke his neck.

“Till that night never one of us had died, and the First of the Tigers, seeing what he had done, and being made foolish by the scent of the blood, ran away into the marshes of the North, and we of the Jungle, left without a judge, fell to fighting among ourselves; and Tha heard the noise of it and came back. Then some of us said this and some of us said that, but he saw the dead buck among the flowers, and asked who had killed, and we of the Jungle would not tell because the smell of the blood made us foolish. We ran to and fro in circles, capering and crying out and shaking our heads. Then Tha gave an order to the trees that hang low, and to the trailing creepers of the Jungle, that they should mark the killer of the buck so that he should know him again, and he said, “Who will now be master of the Jungle People?” Then up leaped the Gray Ape who lives in the branches, and said, “I will now be master of the Jungle.”

At this Tha laughed, and said, “So be it,” and went away very angry.

“Children, ye know the Gray Ape. He was then as he is now. At the first he made a wise face for himself, but in a little while he began to scratch and to leap up and down, and when Tha came back he found the Gray Ape hanging, head down, from a bough, mocking those who stood below; and they mocked him again. And so there was no Law in the Jungle–only foolish talk and senseless words.

“Then Tha called us all together and said: ‘The first of your masters has brought Death into the Jungle, and the second Shame. Now it is time there was a Law, and a Law that ye must not break. Now ye shall know Fear, and when ye have found him ye shall know that he is your master, and the rest shall follow.’ Then we of the jungle said, ‘What is Fear?’ And Tha said, ‘Seek till ye find.’ So we went up and down the Jungle seeking for Fear, and presently the buffaloes—-”

“Ugh!” said Mysa, the leader of the buffaloes, from their sand-bank.

“Yes, Mysa, it was the buffaloes. They came back with the news that in a cave in the Jungle sat Fear, and that he had no hair, and went upon his hind legs. Then we of the Jungle followed the herd till we came to that cave, and Fear stood at the mouth of it, and he was, as the buffaloes had said, hairless, and he walked upon his hinder legs. When he saw us he cried out, and his voice filled us with the fear that we have now of that voice when we hear it, and we ran away, tramping upon and tearing each other because we were afraid. That night, so it was told to me, we of the Jungle did not lie down together as used to be our custom, but each tribe drew off by itself–the pig with the pig, the deer with the deer; horn to horn, hoof to hoof,–like keeping to like, and so lay shaking in the Jungle.

“Only the First of the Tigers was not with us, for he was still hidden in the marshes of the North, and when word was brought to him of the Thing we had seen in the cave, he said. ‘I will go to this Thing and break his neck.’ So he ran all the night till he came to the cave; but the trees and the creepers on his path, remembering the order that Tha had given, let down their branches and marked him as he ran, drawing their fingers across his back, his flank, his forehead, and his jowl. Wherever they touched him there was a mark and a stripe upon his yellow hide. And those stripes do this children wear to this day! When he came to the cave, Fear, the Hairless One, put out his hand and called him ‘The Striped One that comes by night,’ and the First of the Tigers was afraid of the Hairless One, and ran back to the swamps howling.”

Mowgli chuckled quietly here, his chin in the water.

“So loud did he howl that Tha heard him and said, ‘What is the sorrow?’ And the First of the Tigers, lifting up his muzzle to the new-made sky, which is now so old, said: ‘Give me back my power, O Tha. I am made ashamed before all the Jungle, and I have run away from a Hairless One, and he has called me a shameful name.’ ‘And why?’ said Tha. ‘Because I am smeared with the mud of the marshes,’ said the First of the Tigers. ‘Swim, then, and roll on the wet grass, and if it be mud it will wash away,’ said Tha; and the First of the Tigers swam, and rolled and rolled upon the grass, till the Jungle ran round and round before his eyes, but not one little bar upon all his hide was changed, and Tha, watching him, laughed. Then the First of the Tigers said: ‘What have I done that this comes to me?’ Tha said, ‘Thou hast killed the buck, and thou hast let Death loose in the Jungle, and with Death has come Fear, so that the people of the Jungle are afraid one of the other, as thou art afraid of the Hairless One.’ The First of the Tigers said, ‘They will never fear me, for I knew them since the beginning.’ Tha said, ‘Go and see.’ And the First of the Tigers ran to and fro, calling aloud to the deer and the pig and the sambhur and the porcupine and all the Jungle Peoples, and they all ran away from him who had been their judge, because they were afraid.

“Then the First of the Tigers came back, and his pride was broken in him, and, beating his head upon the ground, he tore up the earth with all his feet and said: ‘Remember that I was once the Master of the Jungle. Do not forget me, O Tha! Let my children remember that I was once without shame or fear!’ And Tha said: ‘This much I will do, because thou and I together saw the Jungle made. For one night in each year it shall be as it was before the buck was killed–for thee and for thy children. In that one night, if ye meet the Hairless One–and his name is Man–ye shall not be afraid of him, but he shall he afraid of you, as though ye were judges of the Jungle and masters of all things. Show him mercy in that night of his fear, for thou hast known what Fear is.’

“Then the First of the Tigers answered, ‘I am content’; but when next he drank he saw the black stripes upon his flank and his side, and he remembered the name that the Hairless One had given him, and he was angry. For a year he lived in the marshes waiting till Tha should keep his promise. And upon a night when the jackal of the Moon [the Evening Star] stood clear of the Jungle, he felt that his Night was upon him, and he went to that cave to meet the Hairless One. Then it happened as Tha promised, for the Hairless One fell down before him and lay along the ground, and the First of the Tigers struck him and broke his back, for he thought that there was but one such Thing in the Jungle, and that he had killed Fear. Then, nosing above the kill, he heard Tha coming down from the woods of the North, and presently the voice of the First of the Elephants, which is the voice that we hear now—-”

The thunder was rolling up and down the dry, scarred hills, but it brought no rain–only heat–lightning that flickered along the ridges–and Hathi went on: “That was the voice he heard, and it said: ‘Is this thy mercy?’ The First of the Tigers licked his lips and said: ‘What matter? I have killed Fear.’ And Tha said: ‘O blind and foolish! Thou hast untied the feet of Death, and he will follow thy trail till thou diest. Thou hast taught Man to kill!’

“The First of the Tigers, standing stiffly to his kill, said. ‘He is as the buck was. There is no Fear. Now I will judge the Jungle Peoples once more.’

“And Tha said: ‘Never again shall the Jungle Peoples come to thee. They shall never cross thy trail, nor sleep near thee, nor follow after thee, nor browse by thy lair. Only Fear shall follow thee, and with a blow that thou canst not see he shall bid thee wait his pleasure. He shall make the ground to open under thy feet, and the creeper to twist about thy neck, and the tree-trunks to grow together about thee higher than thou canst leap, and at the last he shall take thy hide to wrap his cubs when they are cold. Thou hast shown him no mercy, and none will he show thee.’

“The First of the Tigers was very bold, for his Night was still on him, and he said: ‘The Promise of Tha is the Promise of Tha. He will not take away my Night?’ And Tha said: ‘The one Night is thine, as I have said, but there is a price to pay. Thou hast taught Man to kill, and he is no slow learner.’

“The First of the Tigers said: ‘He is here under my foot, and his back is broken. Let the Jungle know I have killed Fear.’

“Then Tha laughed, and said: ‘Thou hast killed one of many, but thou thyself shalt tell the Jungle–for thy Night is ended.’

“So the day came; and from the mouth of the cave went out another Hairless One, and he saw the kill in the path, and the First of the Tigers above it, and he took a pointed stick—-”

“They throw a thing that cuts now,” said Ikki, rustling down the bank; for Ikki was considered uncommonly good eating by the Gonds–they called him Ho-Igoo–and he knew something of the wicked little Gondee axe that whirls across a clearing like a dragon-fly.

“It was a pointed stick, such as they put in the foot of a pit-trap,” said Hathi, “and throwing it, he struck the First of the Tigers deep in the flank. Thus it happened as Tha said, for the First of the Tigers ran howling up and down the Jungle till he tore out the stick, and all the Jungle knew that the Hairless One could strike from far off, and they feared more than before. So it came about that the First of the Tigers taught the Hairless One to kill–and ye know what harm that has since done to all our peoples–through the noose, and the pitfall, and the hidden trap, and the flying stick and the stinging fly that comes out of white smoke [Hathi meant the rifle], and the Red Flower that drives us into the open. Yet for one night in the year the Hairless One fears the Tiger, as Tha promised, and never has the Tiger given him cause to be less afraid. Where he finds him, there he kills him, remembering how the First of the Tigers was made ashamed. For the rest, Fear walks up and down the Jungle by day and by night.”

“Ahi! Aoo!” said the deer, thinking of what it all meant to them.

“And only when there is one great Fear over all, as there is now, can we of the Jungle lay aside our little fears, and meet together in one place as we do now.”

“For one night only does Man fear the Tiger?” said Mowgli.

“For one night only,” said Hathi.

“But I–but we–but all the Jungle knows that Shere Khan kills Man twice and thrice in a moon.”

“Even so. Then he springs from behind and turns his head aside as he strikes, for he is full of fear. If Man looked at him he would run. But on his one Night he goes openly down to the village. He walks between the houses and thrusts his head into the doorway, and the men fall on their faces, and there he does his kill. One kill in that Night.”

“Oh!” said Mowgli to himself, rolling over in the water. “Now I see why it was Shere Khan bade me look at him! He got no good of it, for he could not hold his eyes steady, and–and I certainly did not fall down at his feet. But then I am not a man, being of the Free People.”

“Umm!” said Bagheera deep in his furry throat. “Does the Tiger know his Night?”

“Never till the Jackal of the Moon stands clear of the evening mist. Sometimes it falls in the dry summer and sometimes in the wet rains–this one Night of the Tiger. But for the First of the Tigers, this would never have been, nor would any of us have known fear.”

The deer grunted sorrowfully and Bagheera’s lips curled in a wicked smile. “Do men know this–tale?” said he.

“None know it except the tigers, and we, the elephants–the children of Tha. Now ye by the pools have heard it, and I have spoken.”

Hathi dipped his trunk into the water as a sign that he did not wish to talk.

“But–but–but,” said Mowgli, turning to Baloo, “why did not the First of the Tigers continue to eat grass and leaves and trees? He did but break the buck’s neck. He did not eat. What led him to the hot meat?”

“The trees and the creepers marked him, Little Brother, and made him the striped thing that we see. Never again would he eat their fruit; but from that day he revenged himself upon the deer, and the others, the Eaters of Grass,” said Baloo.

“Then thou knowest the tale. Heh? Why have I never heard?”

“Because the Jungle is full of such tales. If I made a beginning there would never be an end to them. Let go my ear, Little Brother.”

 

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